Immersive Sound: Binaural og multi-kanal lydteori

Immersive Sound: The Art and Science of Binaural and Multi-Channel Audio provides a comprehensive guide to multi-channel and binaural sound theory and applications. With contributions

from leading recording engineers, researchers, and industry experts, Immersive Sound includes

an in-depth description of the physics and psychoacoustics of spatial audio as well as practical

applications. Chapters include the history of 3D sound, binaural reproduction through headphones and loudspeakers, stereo, surround sound, height channels, object-based audio, sound

field (ambisonics), wave field synthesis, and multi-channel mixing techniques. Knowledge of the

development, theory, and practice of spatial and multi-channel sound is essential to those advancing the research and applications in the rapidly evolving fields of 3D sound recording, augmented

and virtual reality, gaming, film sound, music production, and post-production.

Agnieszka Roginska is Music Associate Professor and Associate Director of the Music Technology program at New York University. Her research focuses on the analysis, simulation, and

applications of immersive and 3D audio.

Paul Geluso is Music Assistant Professor at New York University in the Music Technology program. His work focuses on the theoretical, practical, and artistic aspects of sound recording and

reproduction.

AUDIO ENGINEERING SOCIETY PRESENTS . . .

www.aes.org

Editorial Board

Chair: Francis Rumsey, Logophon Ltd.