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'Mississippi Burning', filmanalyse

  • Engelsk
  • 8. klasse
  • Afleveret til 12
  • 2 sider PDF

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'Mississippi Burning', filmanalyse er en engelsk-opgave til 8. klasse, afleveret til karakteren 12. Fylder 2 sider (1.207 ord, ca. 5 min. læsning) og blev publiceret 4. april 2017.

Filmanalyse af 'Mississippi Burning', der skildrer racisme og borgerrettighedsbevægelsen i Mississippi i 1964. Opgaven fokuserer på FBI-agenternes efterforskning af forsvundne borgerrettighedsaktivister og filmens evne til at fange tidsånden. En vurdering af filmens relevans og kunstneriske kvaliteter, herunder skuespilpræstationer.

Redaktørens vurdering
10 Fortrinlig
Solid filmanalyse af 'Mississippi Burning' med fokus på racisme og borgerrettighedsbevægelsen. Velskrevet og giver god indsigt i filmens temaer.
Struktur
12
Faglig dybde
10
Kilder
10
Fuldstændighed
12
  • 1960erne
  • alan parker
  • borgerrettigheder
  • fbi
  • filmanalyse
  • gene hackman
  • mississippi burning
  • racisme
  • usa historie
  • willem dafoe

The film is based on a true story, the disappearances of Chaney, Goodman and Schwerner, three young civil rights workers who were part of a voter registration drive in Mississippi. When their murdered bodies were finally discovered, their corpses were irrefutable testimony against the officials who had complained that the whole case was a publicity stunt, dreamed up by Northern liberals and outside agitators. The case became one of the milestones, like the day Rosa Parks took her seat on the bus or the day Martin Luther King marched into Montgomery, on the long march toward racial justice in this country.

But “Mississippi Burning” is not a documentary, nor does it strain to present a story based on the facts. This movie is a gritty police drama, bloody, passionate and sometimes surprisingly funny about the efforts of two FBI men to lead an investigation into the disappearances. Few men could be more opposite than these two agents: Anderson (Gene Hackman), the good old boy who used to be a sheriff in a town a lot like this one, and Ward (Willem Dafoe), one of Bobby Kennedy’s bright young men from the Justice Department. Anderson believes in keeping a low profile, hanging around the barber shop, sort of smelling out the likely perpetrators. Ward believes in a show of force and calls in hundreds of federal agents and even the National Guard to search for the missing workers.

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